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13: photographs by Marc Atkins
£13 reduced to £7.99 (UK only) 1899344861
Large format (234mm x 156mm) paperback
Launching
the new articulation
imprint, 13 is a unique juxtaposition of imagery:
photographic nudes by Marc Atkins illustrated with text specially
commissioned from thirteen internationally acclaimed writers. The authors
illustrating Atkins photographs in 13 range
from twice Booker Prize nominated novelist Julian Rathbone to New York
columnist Maggie Estep via Bill Drummond (best known for his part in pop/art
unit KLF) and Groupie author, Jenny Fabian. Some, like Nicholas Royle
and Stella Duffy, are rising stars of British literature; others, such
as writer and biographer James Sallis and writer/journalist Mick Farren
are relatively seasoned veterans. All thirteen were given a nude portrait
and asked to write about what they saw. The results are revealing, occasionally
disturbing and very often breathtaking descriptions which also
fit Atkins images perfectly.
After graduating with a first-class honours degree in 1988, Atkins pursued
post-graduate studies at the Jan Van Eyke Akademie, Netherlands. From
1993-94 he was professor at the University of Windsor, Canada. Now back
in London, he exhibits around the world. Aside from his celebrated solo
work, Atkins is known for his collaborations with poet and critic Rod
Mengham, lexicographer Jonathon Green and novelist Iain Sinclair. His
work has been published in books and magazines worldwide including The
Teratologists, Faces of Mathematics (Panoptika) and Liquid City (Reaktion
Books), and compilations including The Mammoth Book of Illustrated Erotica
and The Nude (RotoVision). His work has also featured in several television
projects, including The Falconer (Channel 4) and London (Discovery).
More haunting are his odd images, reminiscent of Man Rays,
of the human figure photographed in the intimacy of a curtained room.
Tristian Quinn, New Statesman
Marc Atkins Beckett-like scenario suggests the hell of isolation.
A man sits at a table in a desolate setting, his head shrouded in cloth
blown by a wind machine mounted on a supermarket trolley. A neatly conceived
tautology. Sarah Kent, Time Out
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